6/2/2023 0 Comments Shroud of turin imageHad all the data been released in 1989, it would have failed statistical analysis as a reliable test. Analysis of the data shows it was clearly manipulated. It was published in the peer-reviewed journal Archaeometry, on March 22, 2019. This was further corroborated by the raw data from the three labs, which against all norms they refused to release immediately, were finally obtained through a Freedom of Information request in 2017 made by French researcher Tristan Casabianca. He was involved in groundbreaking research, which demonstrated that the 1988 C-14 results were invalid. Marino, working alongside his late wife, Sue Benford, found anomalies in the weave pattern in the sample which had been dated. In 2005, in response to Marino and Benford's research, the late Ray Rogers, head of the chemistry section of the 1978 Shroud of Turin Research Project, authored a peer-reviewed paper, "Studies on the Radiocarbon Sample from the Shroud of Turin" in which he concluded that the C-14 sample was not representative of the main cloth, thus invalidating the results. Marino's new 45-page article, "Documented References to the Burial Linens of Jesus Prior to the Turin Shroud's Appearance in France in the Mid-1350s," published on April 8, adds to the growing body of evidence indicating the Shroud of Turin could be the actual burial cloth of the historical Jesus of Nazareth. As a sample of what readers will find in the article, in the sixth century, nearly a thousand years older than the carbon date, an ancient liturgical text translates John 20:5 in the following manner: Peter and John ran to the tomb and saw the recent imprint of the dead and risen man on the linens. There are one or more references for each century from the 2 nd through the 14 th, clearly demonstrating the existence of the Shroud from right after the time of Jesus through its appearance in France in the mid-14 th century.Ī former Benedictine monk, Marino has studied the Shroud for 45 years. Longtime Shroud of Turin researcher Joseph Marino, author of two books and more than 60 articles and conference presentations on the Shroud, has just published an article that compiles numerous historical references to Jesus' burial linens from the second century through the first half of the 14 th century. The exhibit, "Mystery and Faith: The Shroud of Turin," will run through July 31. 26, The Museum of the Bible in Washington, D.C., unveiled an interactive, state-of-the-art exhibit on the Shroud. The Shroud continues to stir significant interest worldwide. It also profiles some of the remarkable scientific discoveries that make a compelling case for the authenticity of this revered cloth. 'Who Can He Be?' reveals new evidence which casts significant doubt on the validity of the controversial C-14 test carried out in the absence of the five protocols deemed necessary to ensure an accurate result. However, there is a catalogue of less well-publicised scientific and historical evidence that contradicts this claim. In the years since then, the reputation of this revered Christian relic has been completely undermined by the result of a radiocarbon dating test in 1988, which delivered the verdict that the Shroud was a medieval forgery dating from the period 1260 to 1390 AD. Rolfe has returned to the subject of the Turin Shroud which was the focus of his 1978 BAFTA award winning documentary, The Silent Witness. Rolfe has released a new documentary challenging sceptics and shedding new light into this most controversial of relics. An appeal for an extension by the Museum will be considered if it shows evidence of application to try and meet the Challenge.' read the statement from Rolfe's website. No response will be taken as an indication that the Challenge has not been accepted. 'The Museum has six months from the first streaming release of the film on 17th April 2022 to accept or refuse the Challenge. 'In accepting the Challenge, the Museum will also grant the Producers the exclusive right to film for both record and dissemination the planning and execution of the process from start to finish. Upon their acceptance, the producers will place $1,000,000 in escrow pending the results. 'The Museum have six months from Easter Sunday, 2022 (April 17th) to either accept or decline this challenge. ![]() ![]() 'The producers have limited the chosen characteristics to those which can easily be attested and adjudicated by a neutral panel.
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